The creative muses are each capable of expressing true concerns of human nature: the choreography transforms plastic movement and form into universal ideals the music, while occupying time, suggests time itself the light and darkness of equal measure define the enveloping space around the dancers the costumes dress the voyagers, suspending them in a contemporary quality. Founded on Dante’s epic work, gives way to the unifying strength of the art of Adi Da Samraj, while embracing original dance, music, lighting, and costume design.įor the Florence Dance Company, our artistic work remains a quest for truth and beauty.
Simultaneously, it welcomes the voyager to discover, in the words of Adi Da, that “Reality Itself Is Truth Itself Is The Beautiful Itself”-through unguarded “feeling-participation” in Adi Da’s art. follows the Divine Comedy as a journey from the darkest corners of human nature to its most illumined virtues. It is a comprehensive aesthetic experience, inspired by Dante’s epic poem and the art of Adi Da Samraj. KEITH FERRONE AND MARGA NATIVO-FOUNDERS, THE FLORENCE DANCE COMPANY-ON DIVINA.COMĭ is more than a dance and more than a multimedia work for the stage. The images move on screen in dynamic interaction with the dancers, and are also the inspiration for the costume design. The ballet, inspired by Dante’s Divine Comedy, integrates monumental projects of images by Adi Da.
The Ascent of Orpheus: Between and Beyond Representation and Abstraction-a solo contemporary show by the American-born artist Adi Da Samraj at the Bargello National Museum from July 9 to October 11, 2015-will coincide with a collaborative performance of by the Florence Dance Company, on 9, 10, 11 July, in the Bargello Museum courtyard. The Bargello National Museum / Via Del Proconsolo 4, Florence Italy Da Plastique announces a collaborative dance performance:, by the Florence Dance Company
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